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The Whitlams and the TSO

There was a campaign by the Australian Labor Party when I was very young that featured the slogan “It’s Time” (along with a weirdly catchy theme song — all the cool kids knew the words). The leader of the Labor Party at the time was Gough Whitlam — hence the connection to this band, The Whitlams.

Red, brash and unashamedly historic, the poster I designed ended up as an homage to all that was good from Australia’s first celebrity election.

 
 

Ispahan Podiatry

Two initial instructions from this client were "no feet and no orange". But after a few concepts and some discussion, guess what happened? Love the grey...

 

 
 

Tickit Systems

This job started with a contract to design the actual application's appearance (a massive task), and has since been followed by: branding for both the application and parent company; websites for both entities; Flash and print advertisements; and a full stationery suite.

Client of the year? Could well be!

 

 

 

 

 

 

 
   
"Make the text bigger!" If I had a dollar for every time I'd heard that, I wouldn't be sitting here typing this (well, maybe I would... on a laptop in the Swiss alps).

Designers have a tendency to use small text -- from experience, they've discovered that large type looks clumsy and really only lends itself to headers and preschool flyers. Plus, it's a lot easier to develop linearity in your designs if the size of the words doesn't detract.

That's not to say small text is always the right way to go. Small text on posters (viewed from a distance) is pointless, and small text on screen can leave you open to litigation by disability rights groups.

Business cards, however, should never use large text. Why? Because people know how to find the information, and large text invariably looks like it was done by a junior designer.

Compare for yourself if you don't believe me. And if you have business cards that look like they were done on one of those machines in the shopping mall, perhaps a text size change would help.

 

 
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